Illumination: a poetic reflection on discovering Truth

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By Kyle J. K.

About the poem

This is an unstructred, mostly free-verse poem, written a couple of years ago, in response to what I had begun learning as I started studying at seminary, and my great surprise and fascination with those truths I had encountered, and even the very process whereby I had learned them. Here, I focused largely on the use of assonance, alliteration, and linguistic phrasing to provide the internal cohesion that the absence of rhyme and meter otherwise left it lacking. The heart of this poem attempts to capture the profound and ehxilarating experience of discovering new truths which convict the heart and compel the mind to believe in something noble and worthy in which to entrust one's very soul and being. The final pair of verses - highlighted by their insertion at the end, in a manner reminiscent of a concluding sonnet couplet - comment on the feeling of a deep longing for purpose and truth at last satisfied and fulfilled, if even for once, as if it would never come. I hope the imagery and use of language strikes you with the depth of the experience it aims to portray, for any of you who have known such a singularly defining moment of personal revelation, which you knew would change you utterly. Thanks! 

Illumination

Of vigil, 'neath soft-glimmered flambeaux,

In Book of antique wisdom rapt,

'Loft lyric-versed glyph I pore,

For truth unfixed despairing:

 

Cruxes, riddles, decrees unbroken

Paint its Author of eld –

Purposes and primal dreams,

Vestigial boding, presages;

 

Mapping meaning onto

Frames of reason faithless,

Verities and fashioned writ thus fused into

Breath of archaic divine;

 

'Til, as if by magic, or some clairvoyant eye –

As oracle betrayed, of timeworn tome or folkish myth,

Like burnished jewels in streamlet shallows –

The hallowed rhyme enscrolled reveals


Its brilliant glory, on banal leaf enshrined;

Runic majesty of its theme ere cloaked

Now 'lumined lambent of heavenly-dawning light:

Sacred codes upon an open page,


At last, unveiled –

If once, unveiled.

Comments

Julie-Ann Amos profile image

Julie-Ann Amos Level 1 Commenter 3 years ago

I'll openly admit I rarely read poetry hubs, but more and more I'm finding them small oases in a hectic day, so am starting to do a lot more of it. Thank you for this one.

Kyle J. K. profile image

Kyle J. K. Hub Author 3 years ago

Well, that's quite a compliment.. thank you so much for your appreciative comment! ..and, you're most welcome. :) I have yet to do my share of exploring HubPages, as I am very new here; I have definitely had discouraging experiences with specifically poetry websites in the past, so I understand your hesitancy to do much browsing amongst poetry hubs; but, I am hopeful to find something inspiring around these parts, as you have.

Cris A profile image

Cris A 3 years ago

this is very evocative. loved the last two lines! Thanks for sharing :D

Teresa McGurk profile image

Teresa McGurk 3 years ago

I love illuminated -- and illuminating -- manuscripts -- they are wonderful testaments to devotion, as well as being beautiful objects to pore over.  Your poem is engrossing, and while I usually pounce all over pedantry, denounce those who seek to explain their own poems (we either get it or we don't!), the language you use here is suitably overwrought, just like the manuscripts themselves; and your intention is heartfelt and sincere.  Neat. 

Kyle J. K. profile image

Kyle J. K. Hub Author 3 years ago

Thank you again, Cris, for your wonderfully affirming words! :)

Teresa, thank you so much for your thoughtfully constructive response! Yes, I fully agree with your remarks about pedantry; I am shying away from the overtly complex these days - poetry should be readily understood, as you say, without a self-promoting forward to inform readers as to how they "should" interpret it. If you have any advice for my prefacing, I would be most grateful to hear it - I have a keen love for language and linguistics, and enjoy playing with the great many options that words offer, but I'd like what I write to be understandable in the same vein, so I often feel I must explain a bit to bridge the gap. I'm glad to hear that you found value in what I did choose to include with my choice of, as you say, "overwrought" English. :) I'm a big fan of the archaic.. and, as you noted, of illuminated manuscripts! That which this poem refers to was actually not an illuminated text; but, as I attempted to convey, the impression I got from the experience I describe was as if it was just that! I've actually seen some of the treasure troves of illuminated manuscripts in my travels to Turkey, Greece, and Rome, and there is nothing like its beauty right before your eyes! I'm fascinated to meet someone who shares my affinity for such wonderful works of art in human history! Thanks so much for reading.

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